Apostrophe'
Zappa took a compositional turn with this album. It's in the genre of
"Over-Nite Sensation," but further developed towards whatever it is
musicians think of when they hear "Zappa," and there was more like this
and even further developed material to come. This album has a definitive
main thread, even though it features four different drummers and four
different bass players, because it's very bluesy. Even if the songs
aren't played with typical blues progressions --with the exception of
"Cosmik Debris"-- there's a bluesy feeling pretty much throughout, which
mainly the guitar solos lend. But there's more than a feeling of blues
to this album; the songs are complex to an unusual (yet not extreme)
degree, but make sense, and are very well performed. "Apostrophe (')"
is, in a way, an album in a genre of it's own - mainly for the highly
individual compositions "St. Alfonzo" and "Father O'Blivion," but also
much because of "Uncle Remus" with its feeling of soul and gospel that
isn't much heard anywhere else in Zappa's discography. Many think that
"Stink-Foot" is not a highlight, and while I understand that point of
view (since it fills a fifth of this 32-minute album and doesn't have a
compositional quality like the other songs) I still find it highly
entertaining and needed because of its groove. Don't let the length of
the album scare you, btw - the material on it is worth the money. 4 1/2
stars.
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